音乐节与城市节庆的马戏节目 —— 单节目上台，或整场大棚Circus Acts for Festivals — A Stage Set, or a Complete Big Top
节庆采购和剧院采购是两件事：这里要的是人流转场、时段密度和突发天气预案。两种交付我们都能给——把节目放进你已有的舞台，或者把整台千座大马戏搬进场地。Programming a festival is not the same as booking a theatre. What matters here is footfall through the day, how many times you can turn the audience over, and what happens when the weather turns. We supply both answers: acts for the stage you already have, or the whole programme inside our own 1,000-seat big top.
我们适配的节庆形态The festival formats we fit
- Music festival warm-up and changeover. A short, high-impact set that holds a crowd between bands, or covers a changeover that would otherwise be dead time.
- City carnival and street festival. Repeated short sets across a site, timed so that a crowd is always forming somewhere.
- New Year and countdown events. A built-up programme with a fixed finale — the format where a headline act earns its place.
- Sports event warm-up and interval. A compact set on a fixed stage inside a fixed time slot.
- Cultural festivals and national-day programming. Full evening programming, or a twenty-minute set inside someone else's running order.
The same act is used differently in each of these. Tell us which one you are building and the shape of the programme follows from it.
两种交付形态Two delivery formats
A festival that already has a main stage usually wants the first. A festival that owns an empty field and a gate usually wants the second — it turns dead ground into a second venue.
一天多场：排期与轮换Multiple shows a day: scheduling and rotation
- Two to four performances a day is the normal rhythm for the rigged acts, with 45–60 minutes between shows for reset and audience changeover.
- Cast rotation is planned from day one, so a long run does not depend on one performer staying fit.
- Day and night versions. The Globe of Death has a night format that adds laser and smoke; the daytime version is built for visibility in flat light.
- Running order by time of day. Daytime slots favour the ground and aerial acts; the headline rigged acts are strongest once the light drops.
We will build the schedule against your gate curve rather than around our convenience — send the daily attendance profile and we will place the shows where they do the most work.
场地、地面与供电Site, ground and power
| Ground 场地 | Hard-standing ground of at least 60 m × 45 m if the big top is part of the plan. Level, drained, with vehicle access for the rig. |
|---|---|
| Power 用电 | 380 V / at least 150 kW on a dedicated circuit. Generators are possible but must be sized in the technical advance. |
| Stage 舞台 | For single acts: clear height of at least 15 m over the wheel position, and a performance area of at least 15 m × 12 m. |
| Backstage 后台 | A covered, lockable dressing area and a warm-up space, plus water and power. |
| Audience control 观众管理 | A defined safety ring around the performance area and a barrier line agreed with your crowd team. |
天气预案与当地要求Weather protocol and local requirements
Outdoor programming is planned with the weather as a participant, not an exception:
- A contingency date in the contract for outdoor headline acts, agreed before the programme is published.
- Published wind limits for the rigged acts and for drone flights, with a named person on site who can call a hold.
- Water state and visibility limits for the flyboard format.
- Local permits and, where the cast is foreign, work permits and visas — these run on their own timelines and have to be started early. Requirements differ by country; we plan the lead time and always work to the local authority's final requirements.
Send the site plan and the date window. We will tell you what is realistic on that ground, at that time of year, and what the fallback should be.
常见问题Frequently asked questions
Can you play a festival stage that already has a headline band?
Yes. A single act is licensed into the programme you already run — the Wheel of Death at 10–12 minutes or the Globe of Death at 8–10 minutes, with our own rigging and crew.
How many shows can you perform in one day?
Two to four for the rigged acts, with 45–60 minutes between performances for reset and audience changeover. More is possible with a larger cast, planned in advance.
What ground do you need for the big top?
Hard-standing, level, drained ground of at least 60 m × 45 m, with vehicle access for the rig. If the site cannot take it, we programme acts into the stage you already have instead.
What power supply is required?
380 V and at least 150 kW on a dedicated circuit for the rigged acts. Generators are workable if they are sized correctly during the technical advance.
What happens if the weather turns?
Outdoor headline acts are contracted with a contingency date, published wind limits and a named person on site who can call a hold. That is agreed before the programme is published, not after.
Do your performers need local work permits?
Where the cast is foreign, yes — and the requirement, the route and the lead time differ by country. We start the paperwork at contract stage and always defer to the local authority's final requirements.
Can a drone light show be part of a festival programme?
Yes, and it is often the finale. Airspace approval runs on its own timeline, so it has to be started well before the event date — we build that into the plan.
取得联系Start the conversation
Email mengtangshow@outlook.com with your venue type, the format you have in mind and your target dates, or reach us on WhatsApp at +86 189 6899 9691 (GMT+8). Site surveys are free of charge and come before any contract is discussed.
中文要点
- 节庆采购看三件事：人流转场、时段密度、天气预案，不是只看节目好不好看
- 两种交付：单节目进你已有的舞台（飞轮 10–12 分钟 / 球笼 8–10 分钟），或整台约 90 分钟进我们自备的千座大棚
- 广场空地 + 售票门 = 适合大棚整场；已有主舞台 = 适合单节目植入
- 一天常规 2–4 场，场次间隔 45–60 分钟用于复位与换场；演员轮换从第一天就排
- 球笼有夜场版（加激光与烟雾）；白天版按平光可见度设计
- 排期按你的客流曲线排，把节目放在最吃力的时段（把当日客流分布发我们）
- 大棚需硬化地面 ≥60m×45m；用电 380V / ≥150kW 专线；单节目需净高 ≥15m、表演区 15×12m
- 户外必须写进合同的：备用档期、风速上限、现场叫停责任人；飞板另看水位与能见度
- 外国演员的工作许可与签证有自己的时间表，各国要求不同，签约阶段就要启动，以当地主管机关最终要求为准